JAGGU's sophomore release, "Rites for the Damned" in all its glory on an epic marbeled red/blue 12" Vinyl. Pressed at T-Time Vinyl Plant in Stavanger, Norway.
Lo and behold!
You can now pre order our sophomore album "Rites for the Damned" on vinyl.
Red/blue marbeled limited edition, including a lyric poster which concludes the artwork theme.
"Rites for the damned" is composed of 8 tracks.
Based on the theme of the horrors in humanity's destructive nature; the machines of war, digging your own grave, enslavement, and the juxtaposed hope present in nature and the resilient world.
And with these rites for the damned, the show must certainly go on.
This album contains some of the bands most personal lyrics from the members' private lives.
We are stoked about the artwork, which ended up becoming a collaboration with the magnificent Russell Mills, the man that made most of Nine Inch Nails, and some Trent Reznor artworks.
Written and recorded at JAGGU's HQ Red Line Studio and mixed by Marius Melleby .
The mastering was done by Ruben Willem, Caliban Studio Storsjøen.
Special thanks to Thomas Moe Ellefsrud and Evil Noise Recordings.
You can also buy the vinyl from our webpage aswell: jagguband.rocks
We will ship your vinyl ourself as fast as possible, bear with us.
Thank you all for your support!
Cheers,
JAGGU
Includes unlimited streaming of Rites for the Damned
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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ships out within 7 days
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Streaming + Download
Includes high-quality download in MP3, FLAC and more. Paying supporters also get unlimited streaming via the free Bandcamp app.
Fear swarmed equation
Hold onto death
Spawn into orbit
On the stone of sacrifice
Offering at the steel
Rituals of tragedy
Give a life to sacrifice
Electric blood
Sentenced to life
Observe Dreamscape land
Never see reality
A robed figure
With a straight razor
Mother Earth emerges electric blood
Faceless demon hangs
From the umbilical cord
God’s suicide
In electric blood
Spinning the maze
One billion faces
Colliding eyes
On the stone of sacrifice
Between stone and steel
Electrons divide
Conducts eternity
Offering at the steel
Rituals of tragedy
Give a life to sacrifice
Electric blood
Sentenced to life
Observe Dreamscape land
Never see reality
A robed figure
With a straight razor
Mother Earth emerges electric blood
Her mutilated remains
Under a crust of earth
Grave lush with plants
Life immortal
In electric blood
Electric blood
Intention denied
Burned hand in hand
Never see equality
Charred figures faint shadows
Mother Earth emerges electric blood
credits
from Rites for the Damned,
released January 27, 2023
Written & performed by JAGGU
Mixed and Recorded in Red Line Studio by Marius Melleby
Mastered by Ruben Willem
Artwork by Russell Mills
supported by 31 fans who also own “Electric Blood”
This is not just music. It is pure emotion. Pure sensation. It is the auditory mirror, reflecting all your pent-up fear, frustration, rage, disbelief and hatred. it is complete and utter darkness engulfing you.
- and yet it still feels so warm and comforting.The darkness, presented in this form. Nick Jensen
supported by 31 fans who also own “Electric Blood”
This is the bands last release and boy did they deliver.Someone used the word stunning to describe the music.Hard at times yet that cello what a beautiful instrument. It can make the hardest song soft.As always an honour to support fellow Canadians, thank you for making this world a better place for a little while as when listening i leave this shit hole world behind for a short while. lloydd
A ferocious display of blackened stoner-doom from Moscow's Moanhand, who offsets moments of bleak ugliness with clean, haunting melody. Bandcamp New & Notable Jun 23, 2021
Produced by Converge's Kurt Ballou, the metal band's fourth LP channels tragic, transcendental themes into fierce progressive sludge metal. Bandcamp New & Notable Jan 28, 2024
supported by 30 fans who also own “Electric Blood”
I’ve listened to this album on repeat all day today. It’s heavy, has excellent musicianship, great production, and melodies that stick in your head. It would have felt very comfortable in the mid 90s. Zach Wells